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It's the perfect combination of software flexibility with the hands-on control you'd expect from a traditional hardware keyboard or groove machine. Not only can you browse your Komplete 11 library for instruments right from your hardware, but you can also call up individual presets via the tag/category-based browser and tweak them to perfection without ever touching the mouse.
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If you're rocking a Kontrol S Series keyboard or Maschine hardware, then you'll be blown away by the way Komplete 11 fits into your workflow. Over 13,000 presets built for complete hardware control And to top it off, you also get excellent mix tools from the Solid Mix Series, including studio-style EQ, Dynamics, and Bus Compression processors. Seven new titles add to the ever-growing Komplete 11 collection, including Native Instruments' breakthrough synth Form, which bridges the gap between sample playback and synthesis. From the aggressive drum sounds and powerful sample editing of Drumlab to the lush and evolving pads of Absynth 5 or the intensely realistic piano sound of The Gentleman, Komplete 11 has you covered.
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You'll find 45 instruments and processors and over 13,000 sounds in Native Instruments Komplete 11, totaling over 155GB of content. More instruments, effects, and sounds than ever before Guitar Workshop Keyboards & Synthesizers Shop By CategoryĬase Finder Drums & Percussion Shop By CategoryĬable Finder Microphones Shop By CategoryĬase Finder DJ Equipment Shop By CategoryĬable Finder Band & Orchestra Shop By Categoryīand & Orchestra Accessories Accessories Shop By CategoryĮxplore our product finders Shop By Category Other acoustic instruments would be nice to hear in shootouts as well, and also stuff like nylon guitar, steel string guitar, upright bass, mandolin, violin/viola/cello.Case Finder Live Sound & Lighting Shop By CategoryĬase Finder Software & Plug-ins Shop By Category Saxes have been done a couple of times by some trusted sources, but long enough ago that a lot of newer mics aren't included. I'd rather see someone finally do an exhaustive shootout of piano mics. More to the point, however, this shootout is strictly for vocal mics.
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Nevertheless, this shootout will benefit a lot of people - especially those just starting out, and those who have a limited budget.įor those of us who have grown tired of the constant incremental mic upgrade and how expensive that gets, and who just focus on higher-end mics anymore, there's not a lot of interest in that shootout. It comes with Komplete Select, which has 8GB library of samples.
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There are so few mics on that list that I like, that I didn't find it a very useful shootout compared to the Clip-a-lator at Warren Den's Zen Pro Audio site, or the videos at Sound Pure's site and even the occasional video or audio demos at Alan Moon's Front End Audio site. Im planning to buy the native instruments komplete 11 but i am curious on what. Maybe helpful in narrowing down a purchase I suppose. These shootouts can be sort of helpful I guess but I personally find them of limited use. We spent a lot of hours doing that in the past and it will drive you a bit batty after a while. It's a fun and efficient way to work vs trying every combo of mic and mic pre like we used to do. My wife and bass player/singer is not a techie but she can easily pick out the mic models she likes and dislikes and we almost always agree. It's working great and it's fun- "wow, that 800M sounds great!". Auto-Tune Pro Auto-Tune Artist Auto-Tune EFX+ Auto-Tune Access.
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We choose different mic profiles not only per vocalist, but even per song, depending on the song dynamics, vocal range of the part, solo vs stacked/doubled, etc. Auto-Tune Unlimited is our premium subscription bundle that offers the lowest cost-of-entry access to the complete AVOX collection, every current version of Auto-Tune, Auto-Key, free software upgrades, and ongoing access to select new plugins. Lately my band has been cutting vocals and doing 'shootouts' after the fact with the Slate virtual mic system, which I am very very happy with. I agree, and in my experience the 4050 is a good all-arounder mic. The shootouts give you a good sense of what various mics sound like, but don't make the mistake of putting too much faith in them.
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For example, one of my favorite go-to mics for vocals is the AT4050, but every so often it just sounds horrid on a particular voice and I'll have to try something else. Phil O wrote:I understand shootouts and understand that they can be very helpful, but there is no substitute for auditioning a mic for the particular application.